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Archives for the month of: August, 2003

disparity key

August 30, 03 //
0
Narratives
family, joy, music, shows, swoons, zombies

I listen to music I like. I often read liner notes at least once and attend shows like a fiend. But I am not a fan girl. I rarely know the names of individual performers and nine times out of ten the first time I see them (what they look like at all) is when they step on stage before me. I’ve seen an image or two of Radiohead—glossy magazine shots and videos in passing—but I was not prepared for such a collective vibrant presence or the schizophrenic freakboy that is Thom Yorke. What an odd man; my midwestern mother would call him a “strange bird.” A “strange bird” but a “good egg,” and damn, what a performer, the whole lot of ‘em, wildly entertaining at their August 23 date at Alpine Valley in East Troy, Wisconsin, visually holy sh!t even from several hundred yards away (no lie—our lawn standing slots were wretched… but hell, it was still Radiohead). They sounded phenomenal, both sound-system-wise and “check us out, we’re musical freaking geniuses”-wise. I cried. Thrice. One of ‘em was more like bawling.

It’d be impossible for Radiohead to have a disappointing setlist, but there were a few does-nothing-for-me numbers that had me mering. They did, however, play the personal-way-up-there but never-expected “Gloaming,” which is one weird song, and I’m not sure why I like it or even if “like” is the appropriate verb. It’s one of those put-on-repeat-and-go-to-strange-places songs. It doesn’t have meaning, just puts you in the mood to make your own. And not to be predictable or boring, but another great surprise was “We Suck Young Blood.” With me it’s always been a grin that can’t decide, sheepish? or mischievous? the song too silly to give it credence beyond the kitsch. But with over 30 thousand people joining in on the off cadence *clap!*, with the strained and warbling harmonization infecting so wicked evil, with Thom doing death to the ivory with a vicious, primal nature… uuuuuugh. Unreal.

I have only one band remaining on my must-see-before-I-die list. And that’s scary. I’m not ready. I do really like the Mars Volta… maybe I should add them for security, because…

“Mars Volta and AFI… FIGHT!”

Said Street Fighter style, of course. The jaw-droppin’ Mars Volta will be in Minneapolis October 10… the same night that AFI play a show in Fargo. I’ve seen MV exactly never and AFI so many times I can’t remember (seven? perhaps?). I was ecstatic for both then just about stabbed myself when I realized they conflict. Dammit. Given the required drive for and my long history with AFI, Mars Volta would seem the natural choice this time… but. I want to bring my West Fargo bound little bro Joe to a concert, and what better first show than AFI? (We older sibs, forced to babysit, would occasionally drag him to local obnoxious and infamous affairs when he was a preschooler, but that doesn’t count. And don’t tell my mom.) True, AFI will be fantastic in such a small setting, but this isn’t about the band—I love the boys, dearly, do, but this is about Fargo. This is about family. This is about the cultural transmission of music-centered social interaction. For instance: If someone falls down, you pick them up. If someone gets down, you 1). give them room, 2). nod complimentarily, 3). narrow your eyes, tilt your head, step in, and finally 4). battle them until they cry. Joe has a lot to learn—and who better to teach him?

I’m not sure if this is go, though; I unveiled my plot over the phone, and the boy got shy! He’s hesitating! He said all teenage cocky yet with an unmistakable stammer, “But… there’ll be twenty-year-olds there!” Sure, Joe’s only thirteen, but the kid’s 5’10″ and 150 lbs; he doesn’t have to worry. Furthermore, though he’s as big as me and could probably destroy me, he’s still my baby brother and those who give him bother will crack their skulls on the cement after slipping in the blood I punch out of their faces.

And… *sniff*… the Mars Volta will be back. …Right? Right.

In other live show news, Mark Desrosiers tells me Blood Brothers are coming to town September 10 at the Triple Rock in Minneapolis. Now maybe I can break my finger for real (yeah, it’s still not quite right… nearly a month later :\ ).

At my proofreading job I was presented with a 15th Edition Chicago Manual of Style, the most significantly revised version in 25 years, embracing information age innovations like everybody’s business, ’cause it is. They use a gothic header font! and a sans serif for examples! and there’s parenthetical notes in blue-gray type! I just about messed myself. I read it for fun. And since I’m confessing to ultimate dorkdom, right now I’m listening to Crowded House and I’m not ashamed at all.

Site News: Markh writes in the guestbook that he likes green. I like green, too, but the new header looked terrible with the old background, thus the change to black. The green’ll be back, though, I promise. On an equally honest swearing, the new banner wasn’t color-skewed; the shutter was delayed in an outdoor nighttime mode, but how and why I look so zombiedead is a mystery, truly, what the camera is telling me it sees when I posture plain. And speaking of zombies… I tentatively plan to be Jim from 28 Days Later for Halloween (…yeah, I’ve already started planning…), but I don’t want to shave my head. I would be the hospital scrubbed, wandering aimlessly with a plastic sack of Pepsi® , deeply confused and disoriented screaming “Hellloooooo!” at the top of my voice Jim, and thus would require a stitched up head wound with half a shaved scalp. I suppose I could be an Infected. I’m really good at puking blood in people’s faces. But I think that’d get tired real fast. If anyone has any ideas on how to simulate a buzz-cut, let me know.

Be advised, due to my moving this weekend and a subsequent hookup lag, I can’t say when d6 will next be updated, and my online presence as a whole will suffer. It’ll probably be good for us all. I’ll still check my (deepsicks@juno.com) email at work, just don’t expect any epic replies. In the meantime, take care. To whom it applies, enjoy your new classes. For those it doesn’t, keep learning, positive, creative, and not dead.

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a perfect cycle

August 17, 03 //
0
Narratives, Photography, Site News
dancing, minneapolis, music, now + zen, shows, swoons

I move Labor Day weekend, all right! and it will be the seventh time in four years. I don’t have a real good reason to push on this time—the rent’s cheap and the place ain’t bad—but I do know this: every time I move, things change. New environments make new thoughts, and I escape routine even if only by laying my head someplace different. Too much of the rest of my surroundings (how I fill my time and the people I’m around) will be too familiar to say I’m starting over, but it’s still something else. I will take the good things with me and build somewhere new, and the coming neighborhood and living space are fantastically gorgeous. The old-fashioned street lamps guide you to getting lost among the trees that don’t stop, crowding twisting streets and covering the hilly blocks where the houses are huge and hidden behind landscaped yards and overgrown boulevards. If New Orleans secretly moved to Minnesota, it would hide in Prospect Park.

A Perfect Circle was… what can I say. I structure my life around these experiences, and when they happen, I think they really happen, but when I reflect it seems too surreal to wrap in words, to package for vicariousness or even the reminiscence of a fellow observer. They sounded… brilliant. Wonderful. And I cannot be objective, cannot step outside my mind or emotion’s memory, cannot leave behind my body that flailed and glorified in a narrow space between rows then sneaked down closer to dance in an aisle, trembling from the sound and the fear I would be kicked back to your seat or out the door. I cannot be reduced to journalese this is what they wore, this is where they stood, the scripted, clever things they said with the promise to return when what I sense is so much different, when I know… they’ll never leave. A live performance is just a show to see of what I carry inside, a manifestation and intensification of the already known.

I don’t remember how many new songs they played or the names of the old, yet it all seemed familiar, even the ones I didn’t know. Halfway through songs I’d never heard in my life… I was singing along. It reminds me of the time I tried capoeira—I sang songs I didn’t know in a language I couldn’t speak. …And I fit in. My voice made sense and I knew I was a part of That Thing Greater, contributing to the whole and even integral to the sound we made and the game we played. Hearing the new material at the concert, and moving to it, participating in it, mouthing the words with my body aware of when it should break and pull back… I sang songs I didn’t know in a language I’ve been learning to speak the moment I first heard Tool and in the ones I discovered my own voice and worked to understand it. Perfect it, connect it. Make it make sense when so much out there doesn’t, and I’m still learning how to speak, how to write, how to sing, and I know I will never be done—I will never be the master of the things that happen, not the experiences given to me or the ones I give to others. But this isn’t control I want. To be fixed is to be dead—stasis is a flat line.

How my saying this relates to you—to your experience or non-experience—depends on where you are. If you were there, then you know. If you missed them this time through, take comfort in the marks they’ve already left behind and know that more will come. If you don’t listen to A Perfect Circle… maybe you should.

To unnecessarily cover myself, the mention of Tool above is not an attempt to connect the two bands. I appreciate and respect their different sounds and directions. But I’m also not so uptight I’m not gonna recognize and admit that they interweave for me and complement each other. I could’ve just said “the moment I first heard Maynard,” but that’s not precise enough—so much of what Maynard is and does depends on the music that backs him and even stands in front of him. Tool and A Perfect Circle are different bands, yes, but not wholly separate. They speak the same language, both vocally and musically—specific yet abstract, direct yet nebulous. I admire it and find it useful, even necessary, in my own work. And that’s… probably… quite obvious. Heh.

In related news, and as the ultimate ego-stroke, I discovered that deepsicks is at the top of the list when google looks for “Tool album art” due to the infamous The Next Tool Album Art? page. This is the search string that hauls in the most strangers. I don’t know whether these folk get confused and/or have a laugh then poke around, or just get pissed. To those of you I’ve deceived and dragged in, I welcome and assure you: I am not a complete jackass. Thank you for the infinite amusement at the expense of your time and endurance of the tongue-in-cheek mockery of one of the greatest bands of all time. I like them a lot, too.

Radiohead is next weekend. My heart be still.

Site News: Please give a warm welcome to archimago, the latest addition to deepsicks. This section will feature the pictures I take (“my photography?” um… I guess so…). Archimago launches with shots from three Wormwood dates, pictures from St. Vitas & Fake at a recent show in Minneapolis, and a few photos from Twelve Inches of Fargo. I promised some of these to people a long time ago—thanks for your patience in my initiation of this project which will undoubtedly grow as moments are captured and time permits.

Lastly, the price for TTE has been slashed, because… well… why not? You may now get The Teaching Emotion for a suggested donation of only $10. And that’s it. No shipping and packaging charges apply, and nor do additional fees if you use PayPal. I’m also reinstating my seriousness about accepting trades—of particular note are those with a reasonably high-traffic website or a considerably well-distributed zine who would take a copy for free in exchange for a posted or printed book review. Yep, I’m gettin’ creative, and you should, too—if you have ideas for trades, email me. To read up on the new $10 price and other “how to obtain” information, go here.

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little pushes

August 10, 03 //
0
Shouts, Site News
deepsicks, hilarity, minneapolis, music, shows

The website overhaul’s taking longer than anticipated. Sorry. In the meantime I badly sprained or mildly broke my ring-finger while rocking out in my room to the Blood Brothers. I was playing guitar. I also fell down at the corner of Cedar and Riverside during heavy traffic and skinned my limbs, ate fruit in a three a.m. parking lot, got my little brother into early ’80s-era Cure, swam in Lake Calhoun, saw a play about zombies, and fielded a phone call from Marilyn Manson. The fruit was good. With hope come September, I’ll be living in Prospect Park, the most gorgeous neighborhood I’ve yet seen in the fair city of Minneapolis. I was also recently introduced to the Minneapolis Project, a website with pictures of downtown. It hasn’t been updated in awhile, but what is there so far is very pretty.

Tomorrow evening I will see A Perfect Circle. Here is a Real Player hookup to their first single, Weak and Powerless, linked from www.aperfectcircle.org. I will let it communicate itself by itself though I can’t resist saying I am so excited for the September 16 release of their album “Thirteenth Step.” As you all should know well, new sounds move me, and this in particular is the music that holds me on edge with an edge tight against my pulsing. And, of course, while the music itself is instrumental (~naturally~), vocalist Maynard Keenan with his mad powerful lyrics is a force of unrivaled magnificence. I’ve seen him perform seven times: four with Tool and thrice with APC, with six of these instances in the past three years. This will be the eighth time, and… and…wow. Mr. Keenan makes me want to make things.

Other Music News: After a much-too-long wait, Fluke (who are not dead) should have their new album “Puppy” out sometime… soon? I’ve unearthed an August 11 release date, but methinks that’s only for Europa. I swear I’m the only person this side of the pond who cares. :\

Site News: I’ve rearranged and rewritten content (most significantly, “what.is.deepsicks”) on the homepage, i.e., what yer lookin’ at, revised instrumental, and trashed the bio for something that actually reflects the now. In an effort to retain some of the previous bio content, I’ve expanded the bit about POD self-publishing into an essay that includes some interview questions about the process. This may be found in the author notes. This section has also exploded to include an interview about The Teaching Emotion and an essay of thoughts following a recent revisit to the novel. These latter two items are well worth the read and I encourage you to check them out, especially if you have read TTE or are interested in learning more about my work.

Also new is a short piece of creative nonfiction titled What to Wear When Last Seen—it is briefly referenced in one of the interviews so I figured I’d include it. Given that most of the nonfiction at d6 is linked from other pages, I hope to create a section specifically for such links for quick reference. Also watch for a photography section, link page, and possibly a commenting (ahem… “blog”) feature on this here homepage. Thanks for your patience with these updates. If you have any feedback, fire away.

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