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century of the self

September 5, 10 //
6
Narratives
america, angst, art, deepsicks

I’ve been watching the BBC’s 2002 documentary, The Century of the Self. It’s the sort of artifact attack critique you want to show every man, woman and child, this is what it’s all about war terror talking heads, new + improved though I wouldn’t know what to expect or hope to follow. Y’all cogs are fools, capitalistic tools, me too tis of thee, all sorts of angst I thought I’s over, sidling up to thirty.

Paranoia. Social control. Virulent peace-time propaganda and the inextricable yet artificial linking of capitalism with democracy such that “good” business (effective, dominant, roughshod, bonanza enterprises operating regardless of ethics) means “good” government, with the best government existing only to indulge and legitimize business.

Meanwhile, psychology is imagined, not always without cause, but applied en masse with the intent of manipulation. Save our sick minds from national socialism, communism, perversion and too much isolation. Alone time, reflection, introspection is for weirdos — self examination better left to the professionals. Unconscious urges, the Freudian slippery slope, those sex bits were just the surface and in truth a diversion. Bait to freak out the proper folk dismissing it, while behind the scenes, the curtain, the machine is in motion, engineering consent, manufacturing desire.


I want some brownies. I’d settle for cake. But all the prepackaged quick-n-easy mixes require that I add an egg. Haven’t they figured this out yet? how to pulverize and include the egg I mean really. In my version of vegetarianism, I eat eggs when they’re “in things” but never buy them outright, the little pods of fetal chick goo gross that would rot in my fridge before I used them.

Later that day hello synchronicity in the next episode I watch of The Century of the Self, I learn that in the ‘50s one of the first product focus groups, i.e., a group psychoanalysis session, uncovered that women felt guilty about using readymade cake mixes, which originally included all ingredients. While the purpose was convenience, readymade cakes were thought too easy. Housewives were cheating their families of their labor and their love. Betty Crocker changed the recipe to exclude the egg, which the woman had to add on her own.

Her own egg. A symbolic contribution. For her husband, her children. Sales soared.

Sixty years later, I’m too neurotic for a family. I have a problem with factory farming. But I still consume the products, eat the cruelty, yield the profit, with indirect complicity. I just need the right conditions — the right conditioning.

Help me out, psychology. Fix me.


>> Watch all four episodes of The Century of the Self.

6
 comments
 

cookie monster

February 9, 10 //
8
Photography, Shouts
art, hilarity, joy

The only good part about Valentine’s Day is Bree’s annual cookie-decorating soiree, which I’ve missed for the past three years. I was back in full effect on Sunday, Super Bowl be damned. I am a cookie-decorating rockstar (and stylish plate fiend). BOOYAH!

For the record, I (obviously) oppose misogyny, including blanket, derogatory predictions about a woman’s sexual mores based on a predilection for dumb tattoos. But they really are dumb tattoos. What’s a post-feminist to do?

How about attend a gathering of cloying domesticity (baked treats party, SQUEAL!) and make a bad-ass cookie, pun pretty much intended, that represents a literal inversion of the sanitized Valentine’s Day symbol of love and romance back into its traditional representation: female genitalia.

Is that ironic enough? I think so. In fact, I think this tramp stamp cookie deserves an award.

8
 comments
 

disIntegration

March 24, 08 //
4
Narratives, Photography
art, now + zen, swoons


I first meet Sophia Delza at Vancouver’s premier spiritual emporium, Banyen Books and Sound.

She is in the Used section, old and scarred, and I can’t stop staring at her. She is so beautiful. She is the most beautiful woman I have ever seen. Powerful, striking, graceful, wise. I pick her up with trembling hands, I put her down, I pick her up. I page through the poses—poise, expressions unchanged, she is poison. Smoke blown in my face. I carry her around the store like a secret possession but it’s she who owns me and it is too much. Put down. Picked up. A hundred dark eyes telling me, You will never become me. You will never become yourself.

It is not the way it has to be.
It is not the way it should be.
It is the way it is.
It is the way it is the way.

Ahem: My first foray into mutilated book art, using T’ai-Chi Ch’üan (Wu Style): Body and Mind in Harmony written by and starring said Sophia Delza. This project took approximately one million hours, a hundred thousand blades and too many cuts to count: this book drank my blood, yes it did. Enjoy.







4
 comments
 

say uncle

May 1, 07 //
3
Photography, Shouts
art

Happy May Day, everyone! This is the time of year Minneapolis gets parade-happy. According to Sam, the whole city misses me :( And I, it. As it turns out, I will not be working full time this summer but taking a six-week class, after which I shall embark on a Midwest adventure, sometime mid-June, basically for as long as I feel like it. I mostly want to live at Saffron in Fargo, though also plan to give the Mississippi some attention.

In deepsicks news, I’ve been making tweaks here and there, tightening the design and tossing things aside. I am pleased to introduce the art! page, showcasing some of the weird stuff I’ve made over the years. I most recently completed Uncle (shown above) in my free-time frenzy; what with all my zombie art and appreciation, I figured a nod to Vlad and my vamp-fueled youth long overdue. Say Uncle.

3
 comments
 
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