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Archives for posts with tag: school
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meg holle, librarian

April 28, 09 //
3
Shouts
dancing, home, school

After months of joyless weekends the semester is complete; three years told and kept quiet later in Beautiful BC, Canada, The World, and I are a graduate all over again. The degree is conferred in May when I shall commence thenceforth as Meg Holle the Librarian—a master of library and information studies, a fearless champion of the vaguely menacing intellectual control, relevancy, retrieval a friend of books and a force of finding Nature for clueless freshmen and faculty alike. *Fixes bun and flexes might.*

In the meantime, classes are done, and I am free to tie myself to creative dragons, black holes and awkward bedside work spaces. Spring unfolds, hunched shoulders self shaming for sitting in my room when the sky is blue and the tide makes nice. But I have too many parallel dimensions, intersecting directions, no pressing obligations and some sizable savings—a formidable résumé, yes, that suggests I leg-up the ladder, but I wish to have a hiatus first. Who knows when I will have this freedom again, to spit out my pride and swallow more ramen, to take a timeout tune in to listen to the bent and raucous imagination that has waited in my wings and now weights them, breaks them, begs my attention.

Not much to report, yet, and the best-laid may implode. But I am plotting. Storytell-scheming. Here is a hint. It’s all you get.

I plan to stick around here till Hope gets me health care or my visa expires late summer. I would like very much to be back in Minneapolis / St. Paul and have my eyeballs skinned, ears to the gravel for opportunities that suit me. Three years later, I still listen to MPR constantly, miss my friends, miss my family. Miss the weather. Miss complaining about the weather. How long can you leave, how many places in between till you are no longer from your sharpest memories? And nothing, naturally, is without complication. I love it out here yet nothing holds me, and whose fault is that? Is this fault a crack—a flaw—or only a feeling, a suppressed but supported fact? that I’m friendly, foxy, like fun and am wicked funny but don’t fit or don’t want to feel strongly about anything that is temporary but never had to be, had I burned that bridge before it collapsed and was built back up in my absence.

I’ve no doubt I could do it all again in another new city, did I let career opportunities lead me. Breathe different air and walk strange streets. Discover the best deals on almond milk and fake meats, find my lychee tea and industrial fix-me-uppers. But I don’t want to. I want to go home. I could write on this all night for the rest of my life, I suppose. But I’ll save the real cheer jeer and sentimentality for when the intention becomes a reality.

Until that time… summer. I’ll be taking up my trouser hems, considering a haircut, eating cold beans, combing the beach and capturing moments while I can. I have this habit of headphones and irresistible beats on busy streets waiting for busses busting as loose as I dare, caring too much about strangers’ staring and thinking I’m daft. I don’t want to cause a seen! scene an accident into being! become crazy though it seems it’s in my blood and inevitable. Then one evening I saw someone else shaking his ass all over the sidewalk, waiting for the same bus as me. His style was vaguely Country Western, a singular line dance looking all silly kicking back his heels and side-shuffling, extra incongruous in his zipped hoodie and spiked hair.

I couldn’t take my eyes off him. Wouldn’t trade my grin for anything.

3
 comments
 

waves

March 7, 09 //
4
Photography, Shouts
garbage, school, street art, vancouver

T-minus 40 days and 40 nights till I turn in my final paper, feel the flood, swallow the West River, allah that. I’m hanging in there, cracking knuckles and shading in shallows, drafting blueprints, dragging footprints, keeping all my promises by making none. Wish we could hang out, Vancouver. Get some tea, some sushi, trouble ourselves for fun. I yearned then turned away, on campus every day, casting a wide net on the job prowl and very well will get stolen away by a new city. The world by the long tail. Sleep when I’m said.

Here are a few pictures, I hope it’s not too creepy. I saw you but you didn’t see me. I didn’t have the guts time to say hi.

4
 comments
 

how to watch a lunar eclipse

February 27, 08 //
3
Narratives, Photography
deepsicks, family, home, minneapolis, music, now + zen, politics, school, street art, swoons, victoria

I inherited a tripod from one of my new roommates. It is basic but serviceable. I know there’s no way my camera will catch the moon missing, but the February 21 lunar eclipse is a good opportunity to take out the tripod and practice unmoving.

Speaking of (un)moving, things have been good here in Victoria, BC. I like my job a lot, am learning a lot and am struck pleased by the fortune of the whole arrangement: not just the experience from work and the observation of the library unschoolable—politics, policies, lumbering bureaucracies—but the chance to delay graduation to reflect on what I’ve been learning. These two years have gone so fast. I look forward to finishing school, but even more so, now, knowing I will be prepared.

Plus the custodian looks like Ronan Harris, and that can’t help but make me happy, every morning resisting a squealing salute. And a student union vendor serves the most amazing curry wrap and spicy daal with mango chutney dollop. I add one packet of pepper to remind me I’m a Midwesterner and swoon over the entire meal.

I have been homesick—and strange, to feel it now for Vancouver, the rogue, in addition to Minneapolis and the lingering Fargo ties that bind. Over Christmas Ben introduced me to Sims and P.O.S., a couple of Minneapolis hip hop artists I never had the chance or mind to get into when once upon a time we shared the same neighborhoods. Now I’m tuned in near nonstop, all the Minnesota and Minneapolis references—landmarks and mentalities—making me miss, heart, home sicks. Check out the song “Hot Monotony” and not reel full-body seize fall down, I dare. I’m also completely in love with “15 Blocks” (Sims mp3 download from doomtree.net). Sims and fellow doomtreer Mike Mictlan play the Aquarium in Fargo on March 7, two shows. At least half my brothers are going, and god. I wish.

I text the teenage ones about the eclipse, as I bless their Saturday nights, rib their Valentine’s remind Mom’s birthday is tomorrow, try to make it special. Be good brothers and be good sons. I can send SMS internationally via Skype but the tech does not permit them to respond. This removes the question of whether they would.

When I talk to them on the phone I feel my age plus ten trying to recall being seventeen and the things I thought and did. More clearly I remember the things I didn’t do. Straight-edge, solitary, defined by an excess of absence. It doesn’t haunt me but it doesn’t help much, either.

So. How’s school.

Super Tuesday in Canada, alone, was the positive pits, previewing the expatriate election aches awful sure to multiply, divide me. I love my old precincts, neighbor feller citizens, I love the caucus vote voice, the sheen in our eyes knots in our throats with the ropes wrapped tight, one more year to month week night our hopes the halos we beat the apathetic with love your freedom to question your freedom. Love the decision between a black man and a woman. Love this festering wound up toy nation, a superpower out to lunch corrupt, incorrigible, where the only thing we have to fear is no fear. Ask not what your country can do for you, tell it.

I’m ashamed when ashamed and when having no shame, trying to shine light for curious Canadians so quick to cut down my scarycrow nation then horrified they might have done something wrong. Might have offended, might have hurt my feelings.

You can’t imagine what I feel, or how you could hurt me. Silly.

And I know I’m wrong, stumbling over totem poles, First Nations art.ifacts all over campus, so proud of the heritage you slash we destroyed, fall over the words proper to name aboriginal indigenous “we were here first” but I wouldn’t know the face of it—the faces of First Nations, I see echoes but no peoples—I wouldn’t know my own, before my parents were born? before forefathers stole theirs slash we slashed theirs. Rocking on our heels with quaint ideals, ideas of hell and healing.

Like the admission of shared guilt is what I want to shut us up. To bring us closer together.

Huh.

People apologize for the size of the city. I must be real bored. They fail to recognize that I recognize (and that they might realize, too) the city has a history and an actual downtown where people work and shop and eat and play. Vic has its dislocated shopping malls, sure, but there is a downtown sector, core. The city has gravity. The city has old people and homelessness and hippie bohemians. “Home of the newly wed and nearly dead,” I’ve heard time and time again. Early blooms, hoarse British accents, blood on the sidewalks, pomp severed circumstance. I buy packs of noodles and sleeves of spices from the oldest Chinatown in Canada. In two hours, five times I am verbally solicited, asked begged bullied for change.

I’ve gone dancing a few times. Victoria likes its Top 40, its teenage drinking dancefloor dryhumps and asymmetrical haircuts, fat sneaks skinny jeans and hopeless screenprint collages of birds and skulls and bullet swirls. I did manage to find the house-heads. It’s been awhile, too long, since those indefatigable, predictable but hailed, true, beats blew around me. Not me over or away—every time a song dips dark, dirty, I howl the revelation, revolution, but invariably the tone turns bright. Forgivably. But sadly I am without an industrial fix.

Yeah, so, the transit sucks, I’m bikeless, and seafaring is not a lark but a journey. But I enjoy myself. I love the houses, the mosses, the impending spring everyone keeps promising me’s amazing. There is plenty to take my hand and shove.

So how do you watch a lunar eclipse? You take the tripod inherited from your new roommate in the city you know hardly a soul in and set up outside in the dead-end street courtyard and suddenly you’re part of the show.

You must be here for the moon.
We’re all here for the moon.

What about that phone pole, how’s that working for you?
Not working so well, thank you.

I thought it was supposed to turn reddish and brown.
Hmmm.

And so Victoria strangers chat me up. Shoot me down. I make the mistake, apparently, of not reviewing or learning anew everything scientifically culturally humanly possible about eclipses, lunar and solar, planetary alignments in general, telescopes, time zones, and high-powered lenses, stellar phenomena and the forecasted skies of every city you can name in North America, go! You should also make this mistake.

People bike past and nod, stroll by and smile, tumble from their houses and shout where is it, tripod woman! Show us the waaaaaaaaaay!

I show them the way. I twist the camera dial until dark is brought to light and the lights burn too bright and I think about the people I love and miss in other parts of this night hundreds to thousands of miles from me but looking at the same neat thing happening and though the tripod’s purpose is for unmoving, I walk into the frame and leave my ghost.

3
 comments
 

it was summer, now it’s autumn

November 7, 07 //
4
Narratives, Photography, Shouts
halloween, internets, journeys, libraries, music, school, victoria, writing

Some happy news to share: I got a co-op job in Victoria, BC, from January through April, working at the University of Victoria. This was rather unexpected, as I was looking forward to my term two courses and shucks, graduating (already!) in April. But the job—working with UVic’s institutional repository—was too good to pass up. I will be moving to Victoria at the end of December until at least the end of April (you may recall my visit there last December, with the Mounties and the wax museum, oh my).

As a consequence of taking four months off to work full time in a city on an island famous for its stunning springtime flora and British sensibilities, I will be delaying graduation by eight months, until December 2008 (the summer course pickin’s are always slim, so I’ll need the next fall term to get my money and mind’s worth). Though enthused about the prospect of free time sans homework and related school stress, in addition, of course, to gaining invaluable professional experience while making a considerable killing, I am less pleased with the reality of life once again hacked into four-month pieces. How much longer do I need to learn that everything is temporary. Until I get it right? it wrongs me. I’m choosing it, at least the artificiality. Four months here, four months there, get far and never close. But it may be that making these decisions—a layer of choice over the truth of inevitability—keeps me from the danger of realizing I’m not in control of anything.

In the meantime—that is this time, right now—I am overwhelmed by what I must accomplish in the coming weeks, such as renting out my Vancouver place. Finding a new place to live in a city I won’t be able to visit until I actually move there. Finishing up the current, ever-crushing courses, all within the month because at the beginning of December I’m going to NYC for a two-week practicum at the New York Public Library. I am ecstatic and daunted, naturally. About everything. Completing the term, laying to waste logistics and arriving, there. The big apple to my mini. The can’t stop won’t stop city that never sleeps. I have never been, and I’ll be staying with Anna, the sorely missed. She’s promised me frolics, jaunts and restaurants to die for. We shall go dancing. We shall “do it up.” We shall kick a hole in that city that will heal instantaneously but leave me forever marked.

Following that, I’ll be in the Midwest for the Holledays. I’m unsure of Minneapolis dates, if I’ll be there at all. :/ Fargo will be no less living out of a suitcase, but I suspect I shall be tired of the kindness of couches, burdening of friends, and thus may keep it short, if not nonexistent. If I do wander through, it would be starting December 17th for a couple-few days. I will keep in touch.

Here’s the annual Halloween card. I was Prometheus, damned to perpetually have my liver torn out by a fluffy bald eagle. It was the first time I ever made guts—I was quite pleased, especially considering I came up with the idea, bought the materials, assembled it, applied it and was freaking out my bus driver on my way downtown dancing all in under four hours. The guts are crepe paper souped up in maple syrup and food-coloring fake blood. The next living dead event I attend will definitely see me a gutty zombie. :D

My birthday followed not far after. Twenty-seven feels older than other degrees of relativity, different, no turning back, especially when I don’t want to. Uncaring that I can’t. I have developed a dent in my face—a crevice between my eyes, all but unnoticeable to others now, I’m sure. This hollow collects shadow that with the cleft in my chin and the groove in my lip where the angel went shhhhh! cuts my face in half. In five years, it shall be distinctive. In ten, dramatic. In the years following that, my whole face will cave, and this dent will no longer be special. A shame. I think it’s beautiful.

So… with a bit of chagrin, and horror, I’ve come to realize I sink more time in Facebook than here. Quantity can’t beat quality, sure, but it feels like deepsicks is always playing catch-up, especially with general news. Maybe it’s because Facebook is more fun, what with the interaction and opportunity for the gibes, games and glory to spill over into the meatspace. Different spaces function differently, no doubt about it, and there can be no comparison, really. But I mention it as prelude to the hope that free time in Vic will afford me the chance to pull d6 outta the one-point-oh. Nothing too fancy (considering how I already broke the rising), but an RSS feed is long overdue, and it’d be nice to have deeper integration among my web playgrounds, especially within this one.

Deepsicks is not more true. I am beyond confused by questions of authenticity and my own authority to assign it, even to myself and my own creations, in closed systems, secrets that don’t know they’re secrets. But it is more something. More less, more or less, the edge of experience I otherwise dare not describe.

On an unrelated, random note, I’ve been heavily listening to Nine Inch Nails’ album Year Zero, which, incidentally, I definitely feel too old for. Even as a teen, I bit my tongue tucked in the corner of my cheek. But this, somehow, snuck up on me. Feels good to know I can still be knocked down by a piano, remastered times a million distortion and lyrics unconvincing but shouted oh so just oh so right.

Yeah.

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