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Archives for posts with tag: U of M
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righting now

July 17, 06 //
5
Narratives
deepsicks, now + zen, U of M

Working at the library, I have an hour lunch break I take late afternoon, often outside when the weather suits fine. I sit in the grass and eat and read and have taken to the squirrels and taken flak for it. Mangy, vicious beasts! Vile creatures, too quick and crawly wily! I break off pieces of P ‘n’ J I don’t want to eat anyway to toss just far away enough to convince curiosity and daring to indulge me.

And they do. Snatching up bread chunks, the critters stand tall with stony eyes softening no sudden moves just the subtle ones for picturing. Should I have any leftovers after my shift, I share them with the tree-skipping residents of Loring Park on my bike ride home. There, competition is fierce. I yell at the aggressive ones and encourage the reluctant, cultivating my spiraling descent into urban legend insanity: Squirrel Girl on the harrowing road to Sixty-Four Cats Lady, an empire of adoration and way creepy altruism. Squirrels and me, we have an understanding. I feed them. They look at me, and make me smile.

Significantly, my interest, my care and attention, is relatively recent—within the past year, and it’s not so much compassion as simply noticing. Lots of things live on this earth, and all things depend on each other, an interspecies needing one another. Sometimes it’s beneficial, other times destructive, and all the time though it’s easy to forget, just being aware of it, the depth of it—this all-the-time present that isn’t politics or agenda or personal, bonafide b.s.—is deliciously, devilishly affirming. Birds out of no where bring a rush of weird pleasure. I stand before trees and marvel. The tiniest things catch my eye, and I move closer. Fresh fruit, juice dripping, tastes so good. Flowers in the dirt smell so fine. All these things are breathing. Living things are living. I am one of them, and so are you.

Friday settling on the grass with a book on Canadian history, trying to circumvent future chagrin, I hear a loud crack, a two by four against the cement, a miss, then another quick connect—the skull of a breather, a friend. A squirrel was getting brained right in front me of me. A choked scream escapes me but I’m too far away. Another strike and it’s over and I’m shaking, gathering myself in a rise and approaching.

Common sense later sinks no one can corner a squirrel and start beating the death into it. Logic suggests a reason, an injury and mercy killing. But all I feel is rage and disbelief. I am reminded of Binny, run over and killed short weeks after I met him. I am reminded of my own being aware. I can’t unnotice the things that make me happy, that beg of me, stop, and stay in a moment, be here, now, you can kill time later, revisit past wounds and wonderings, project into untenable fantasies, and be your general neurotic, uncertain, fractured self. Later. Less and less.

Engaged I can’t unsee inexplicable pain, nor can I walk away. Yet I am nonconfrontational to a fault. I witness injustice, have been the victim of it variously, and keep my mouth shut. I would rather observe than participate. I interpret and dissect and on the staircase bitch fantastic—shoot my mouth clean off when there’s no risk of consequence. Altercation, resolution, closure. It’s a safe way to live, and it isn’t stupid, but it isn’t right, either.

The man has flung the body into a wall of shrubs; the ground will open up and roots pull down. He is shaken, too, caught by my faltering what did you just do. Matter of fact though flinching, he confesses, I killed a squirrel. Kids had found it, squirming from a trauma, hit by a moped or bike. I didn’t want to do it, I didn’t want to do it, it wasn’t easy, oh, god.

He touches my arm, hesitant then holding on, the way that strangers, things that live, do. I wasn’t the only witness but only I approached. Shared grief and gave my understanding. How ashamed he had looked to see me coming—but how unhinged he would have been to kill with no one questioning. Though not knowing it at the time, I didn’t confront to rail against the death of a squirrel. I confronted to acknowledge the man who had the sense and love to kill it. To empathize. To comfort. We nod our sorrow this is life and death and part apart again but feeling different.

And so. I stand up for a squirrel and its reluctant executioner. Meanwhile, Mumbai is in hell—and I had to look that up because I wasn’t sure, haven’t really paid much attention. MPR, tell me, just how dangerous is downtown? Will I die at the movies, stared down as I stare down? Outside my several windows open to one hundred degrees, sirens break the silence and somehow the heat. Someone bleeds like crazy, Emergency, save me, with your uninsured-welcome central A/C.

The battles I choose are nonsensical. I know this. They are arguably inconsequential. I know this too. But I will choose and choose—notice, acknowledge, engage—until I have no choice but to live my ideals.

You may notice some changes ’round heres, now and in the near future. Just a little housekeeping before I move at the end of August. It is the truth: I am moving to Vancouver, BC. Please get in touch if you’d like to catch up before see/telling me off one last time. I will be having some sort of open house slash Come Take My Stuff extravaganza in about a month, so think about any cool megh treasuretrash you’d like to plunder—it is yours, and if not gratis, then delightfully cheap.

5
 comments
 

we are what america looks like

May 3, 06 //
3
Narratives, Photography
america, family, politics, U of M

On April 28, 2006, I took a half shift at work to join my brother Sam on the steps of Northrop at the U of M campus for a metrowide student walkout war protest. The last antiwar march I went to, the United States wasn’t even at war yet. This was over three years ago, yeah, how does it feel. To be reminded of that—reminded not that I’ve been sitting on my ass but how quickly time passes when you’re having fun? when you and yours are not under the gun, when you don’t see it daily or you see it so much—headlined or page foured body counts and counting—it means nothing. The normalization of mobilization, the camouflaged fatigue.

Sam, a first-year law student, was asked by the National Lawyers Guild to be a legal observer. In turn he convinced me with the nudge wink you can take pictures! when I can take ‘em anytime, anywhere, of anything. But yeah, sure, it’d be a great opportunity—to be an artist! to be an American. The rain was relentless, the cold unforgiving. Walking toward the campus mall for the noon rally, capped and gloved but short-panted shivering, I figured myself in for a miserable time. I was wrong.

I found Sam amongst the swelling throng. He gave me an umbrella. I gave him a sandwich. Along with two other lawyers, he wore a dorky red cap marking him important and kept the appropriate collected, cool distance, right beside or behind or in front of but never inside, a part of the fervor. While under no such regulation of mere observance as Sam, I attempted neutrality in my run about snap shot but soon fell into it, off the sidewalk and into the street, following the chanting following the beat of banged on buckets and screamed out voices, Money for schools and education, not for war and occupation! Who is the terrorist? Bush is the terrorist! Bush is what hypocrisy looks like. We are what democracy looks like. We are what America looks like.

We are what America looks like. Teenage kids with faces smeared red and me caught up and near crying. I never forget what it’s like to care. But I forget other people think and feel the same. I don’t forget that people are dying, but I forget sometimes that it means something. I don’t forget my sixteen-year-old brother considers the military a post-school option. But I forget that he’s entirely serious, I forget. How quickly time passes. When I haven’t been there to watch him grow up. When I and mine are not under the gun but this war will go on until he’s ripe for shredding. Army recruiters organize kickball games at his high school. They like Joe. He’s big and strong and quick. He plays soccer and shoots guns. He knows how to clean a deer, and by clean I mean cut open.

The protest Friday was aimed at high schoolers, and it was a terrific My First March. A girl got to yell “Fuck war!” in a loudspeaker and the Sister’s Camelot folk handed out free fruit. Red paint was splattered on the Army recruitment office in Stadium Village, bystanding kids were weirdly arrested, we stopped traffic for blocks around and sat in the street in the rain shook up and what is going to happen? nothing, really, the protest almost too clean cut, a choreographed chaos with just enough drama minus total terror to make for great retelling to the classmates too chicken to ditch.

In high schools around the Twin Cities, controversy has flared about whether students should suffer academic consequences for skipping class for protests. Sure, yeah, it was generally a rabble of goof-offs, Kool-aid hair and giggled cigarettes, hoarse voices and face painted peace and just like our parents then just like our teachers in their suburbs now in the mock zone, the out of touch. But I can think of nothing more educational, more rounding, more citizenship and agency affirming than exercising free speech, the right to assemble, the duty to stand on your feet and march against a war dependent on the blood and debt of you and your generation. Cheers, children, and all others who participated and those who daily resist in thought, word and deed.

This is what America looks like.

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 comments
 

brrrrrrrrrrawr

February 20, 06 //
28
Narratives
art, dancing, journeys, now + zen, U of M

Pedestrians run. The enemy is all around. I stare at the ground through the slit between my scarf and hat; an inch eye elevated to see where I’m going would widen a crevice and I’d be caught at the throat down the coat cold eviscerated. I could be hit by a truck and not notice, or care, if the ambulance is warm (and I know hell is, with open arms). Ice grows on the insides of my windows, see through fecking cold, winter’s breath freezing. Patient for the thaw, I can’t wait to remember you.

Old enough to laugh at this now.

Early January Bree and I visited Colin in Kentucky. I ate grits for the first time and reveled in Southern accents, visited Colonel Sanders’ grave, gambled on a riverboat casino in Indiana, and attended a sold-out opening night showing of Brokeback Mountain in Louisville. Still without a real camera at the time, all my pictures are trapped in my head and my cell phone, containing less Kentucky than Chicagoland I-beam bridges and aerial transmission tangles (the picture of me taking a cell shot of the Colonel bust linked above is care of Bree). Indiana is a riot slash can rot. Strange how as the anti-choice billboards, Jesus is Lord semitruck signage and crapped-out roadside crosses increase so do the porn shacks, casinos and firework emporiums. Bree and I decided the ultimate highway enterprise would be hookers who light up and gush nickels then explode. And if’n y’all get hungry after that, youse can set yerselfs down at a Waffle Steak!!

Listening to Moby. Not lately, just now.

I did get a new camera but just got the memory card today and haven’t been able to play with it yet. But soon! no more will d6 visitors have to stare at my stove. In other imag(in)e news, I’m taking a printmaking class at the U, which is free for me as a full-time employee. It is so much fun to have a teacher, and a TA, and classmates who give me that oh-my-god-you’re-in-the-real-world look I used to give the elders myself when I was an undergrad. A few are hotshit slick but most are just moody, bouncy kids with neat ways of making things.

I love it. I ask lots of questions about registration and trap; the freshman gape and the graphic designers nod gravely. I mix paints with a palette knife and use a power sprayer and Photoshop and most of my weekend hours printing or thinking about printing and how I can make art happen, and none of it is trying too hard or feeling too bad, though my razor clean precision, a nifty way of saying anal-retentive perfectionism, comes through with a critical eye. At the same time, there’s no pressure. I just enjoy it. Not because I should enjoy it—because my grade is irrelevant and I’m not paying for it. I enjoy it because it’s enjoyable. Both process and product give me pleasure. My first screenprint was a dead bird made with blockout through reduction; the next project is a photomechanical piece with a zombie (Ken from the pub crawl, to be exact). Check the mockup. Sorry it’s a big file, it was acting dumb. It’ll be about 12″x23″ with a prettier red. Hard to say how precise I’ll get it to lookin’ like that, but it should be close.

After screenprinting is a section in lithography, where my lack of drawing skillz shall undo me. But I’m not worried. Faking it—improvising, stylizing, shrugging and throwing down scared lines with a fierce yer goddamned right this is my best, all my patience, all my heart—is also doing. I could fall asleep in a writing class, but I could never play and mean it. I could never say “so what.” Too serious to let’s see what happens. Let’s learn from it. Set it afire and run from it, or with it, or through it, live by it or let it destroy. My Moby music folder is a mash of time-loss ambience and barely tolerable club mix trash. Life is like the box of chocolates no one sends, ha ha ha ha ha stepping off the curb into screeching tires. WATCH WHERE THAT YOU ARE GOING! Look at where you are right now.

The older I get, the more patterns I see. The more people I meet who I’ve met before. The more time I spend writing letters I don’t send or to people I’ve never seen. Came home at 2 a.m. last week from a night of dancing and free cotton candy, sticky sweet mouths telling me I can really move, don’t stop, I want to watch you. I want to learn. A girl in baggy bondage pants and a boy with messed up teeth, smiles that would be sneers were the eyes not sincere. I like your shirt. I like your feet. I like this DJ. I like this city. But don’t stop—keep moving.

I got home in heart-stopping cold people on the street bundled inhuman with crying fingers, toes, have been running through (me too), and someone was parked in my spot, a private lot where I can tow anyone I want. I parked down the block, sweat froze furious, and instead of calling a wrecker, spewed my congested lungs on the driver-side window of the trespasser, a sick patch of instant ice hate you. I didn’t think I’d ever tell anyone. Moment of rage, child act stupid, not irrational but not likely, not becoming, not me. But what does that mean. “Not me.” Oh really. I will never tell anyone, ever, how much I’m not hurting.

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 comments
 

will, way, check.

December 12, 05 //
7
Narratives, Shouts
halloween, holledays, internets, libraries, minneapolis, music, shows, U of M, zombies

If you’re reading this, I’m a genius, or dogged enough to figure out how to make it happen—ftp from the university in secrecy as though anyone would care, really, though surreptitious down- and uploading is undoubtedly frowned upon. I’ve been working at a library at the U of M since the beginning of September to general good feelings though I can’t release the floating—feel the ground beneath me or drift away completely. Classic twenty-something uncertainty, I suppose—the quarterlife crisis, the angst not dissimilar to adolescence, except now I have a lot more weight I don’t want (material possessions and possessed expectations) and debt I don’t need (the not useless degree though I ought to get another). I mostly just want to say I’m alive. Convinced I would die at age 24, I hit 25 last month, much to my surprise and I suppose relief, though the “now what” is crushing.

So what have I been doing besides getting older and not dying? Undying! One mild and lovely October Saturday afternoon, the first annual (*cough*) Zombie Pub Crawl thoroughly confused and corrupted Northeast Minneapolis. Well over a hundred people showed up, goofy-grinned undeadified, and shambled bar to bar with lots of stopping traffic and terrorizing screaming (…with laughter…) living folk. Check out a short film here: I appear at 1:26 in all my evil undead glory. The above throat clear cough is my language precision gag reflex at hearing “first annual” anything, but hell… if this intends to go down every year, I’m wishing hopeful right along with it.

Ah, Halloween…. Though the pub crawl was not connected, it seemed an extension of wicked, wild fun, of which I needed extra dosings given last year’s Halloween cancellation. This year made up for that lil’ mishap, which shamefully (and hilariously, considering) involved me being violently hung over for the first and so-far-last time in my life. In addition to the crawl and being a zombie, I attended three events, all with different costumes. The first was Hurricane Wilma, a five-dollar, last-minute, too-clever-for-my-own-good display of good fun involving water-soaked clothes, a spritz bottle, a necklace made of ping-pong balls (…get it? Wilma Flintstone!) and lots of windmill and kicking action. This was at the Varsity’s Halloween bash with Revolver Modèle (see gushing below). Saturday night I was on the town with Anna in matching super unsexy skeleton body sock suits that somehow earned us rave reviews. The third, on Halloween proper, I was a Look Ma, No Pants! fan who committed suicide along with my friend Bree.

The short explanation: the comedy duo the Scrimshaw Brothers had a long-running variety show called Look Ma, No Pants! at which, at the beginning of every show, everyone in the audience would remove their pants and throw them on stage. Pants would be collected, the show would commence with everyone in their underwear, and at the end, the audience would get their pants back. Bree was a diehard fan—I only saw the finale, which was a couple years ago. On Halloween night, the Scrimshaw Brothers had a performance (non-No Pants related), which included a costume contest. So Bree and I went as fans of the old show who had committed suicide after the finale. She shot herself in the head—I slit my wrists. And neither of us wore pants. After parading about on stage, we got third place, losing to a radioactive pirate (??) and a damn good-looking lobster.

That protracted Halloween was the best I’ve ever had. Strange—for the stupidest things to make me so happy. I wish I had pictures, but my camera was stolen in early October. My uptown studio was broken into (while I was absent, thankfully). I only thought someone had tried to break in, seeing how I didn’t notice anything missing (though my door was clearly destroyed). I mean… c’mon, there’s my four-hundred-dollar bike. There’s my flat-screen monitor and my piles of CDs (though, as the previous post attests, thieves think my music sucks—and to date, I still don’t have my car door fixed, though I managed to reinstall my radio-only factory stereo). But the next morning, I realized I was burglarized when going for my OJ. Yep. They stole my orange juice. And some plums. An apple. A kitchen towel. …And my digital camera (which, uh, I don’t keep in the fridge, but after knowing I’d been hit, the frantic inventory that followed found the camera unfindable). They got the guy down the hall, too, also swiping his camera (but leaving his laptop), cooking his pizza in his microwave and eating it, and making off with his deodorant.

I otherwise like my apartment. Lots of windows, hardwood floors, high ceilings, fake fireplace. But even though my door has since been reinforced, I don’t feel particularly safe, and that goes a long way in not feeling good (…and I’ll spare deepsicks the story of the police officer who came to take my statement and sexually harassed me I am too angry. Still. To speak).

Living alone has been nice, despite missing the Anna-kine and all her crazy antics (we keeps in touch, we do). The lack of home internets has been… telling. Relatively nontramatic or dramatic, what the absence has been teaching me, though not surprising, is valuable. I’d rather not admit it, but what the hell, eh? Yes, in the past few years, nonstop high-speed internet access has been distracting—but killing this distraction has not automatically or even try-test-tearingly brought to life motivation or inspiration to do other things. I’ve been reading a lot more but I’ve also been sleeping a lot more, and writing has been sporadic and thin. I have no intention of going back, though. Even as I sit here with the anxious spine tingling (too much caffeine? or too much curiosity? oh my god, who’s emailed me? possibly?? since the last time I checked???). Bleh. I feel it, yes. But I refuse to give in to it, to cater to it, succumb yes, please, control me by hooking myself full time into the stream once more.

I have fallen dangerously in love with Minneapolis locals Revolver Modèle. I wrote glowingly of their general mien on Instrumental to Change, but at the time I was more fascinated with my blitzkreiged self than with the band that did the bombing. Their Halloween show—only the second time I’ve seen them—will haunt and hold this city in its cryptaline grasp for all eternity. Or something :D But they are seriously… ka-chachacha. I have a deep(sick) range of reaction, satisfaction and pummeling to live music interaction, the bracing embrace infatuation with sound and experiencing it, and they invoke the nothing-before-felt to such a throttling degree, all smolder eyes, angles and ecstasy, full-set wanting to fuck everyone in the room. Given the care I take with, uh… potential impropriety, words used against me, for-all-the-world-to-see yeesh take it easy… let my gloves-off honesty show my seriousness and sin-cerity (hi, mom!) intoxicating. They are that good. Hee.

I’ve also fallen in love with riding my new bike, an actual new one—I purposely left the summer craigslist find unlocked where I knew it’d be stolen. The back wheel was busted; I fought my entire Labor Day to fix the damn thing, and several hours later, bleeding in several places (not kidding), I quietly escorted it to the building basement, turned my back and ran away fast—and haven’t seen it since. The new bike’s a Marin Larkspur and super sweet; I’ve ridden it to work nearly every day save recently, the biting cold preventing me. Ah, the freedom of flying downtown, whipping around buses and beating the hell out of traffic. I have a helmet and headphones and bikedance absurdly. I pedal hop knee knock the tire shock curb caught careen cut killingly, I race I glide I ride—my whole body smiles wide.

I wish it didn’t get dark so soon. I hate but could handle so much better the snow grit cold if only I could see the sun.

Whatever your end of December brings or means or is made to create inside you, I hope it is well. I tend to get depressed. I enjoy visiting family and partaking in our traditions—but without fail, every year, I get edged and short and silent in the presence of the people I love. I don’t mean it or know what it means. But I’m thankful when—without fail, every year—they put up with me and love me anyway. If similar stated, may your own be as precariously joyous—and if complication free, all the better for it. Either way, I wish everyone merry, and a happy, safe new year, too.

In case I don’t update again for awhile, and I probably won’t, OMG, COME TO MOULIN NOIR!!! January, FRIDAY THE THIRTEENTH! at the Triple Rock, and possibly also on the following Monday at the Saloon’s Hard Monday. They’re coming over from Sweden to regale you—yes, you!—with the most delicious, surreal and wtf??-worthy synthpop ever pulled from a cotton-candy machine set up at a wake for a drag queen. I saw them about a year ago with swoons, magic and glee. You like goth-electroschlock don’t you don’t you don’t you? : ) Sure you do. It’s gonna be hot.

7
 comments
 

warmer

June 27, 04 //
2
Narratives, Photography
angst, art, music, U of M

It’s been over a month since my last update. I would love to regale all with tales of fantastica, but not much of celebratory or even noteworthy note’s been going on. Joy’s concrete but diffuse and too tied to the dark too deep, especially when I’m out of it. Saturday morning I got up at eight-thirty because I wasn’t tired anymore. Started listening to the new music thrust upon me or taken upon by myself to take on. And tore around my room looking for some words I scrawled on a scrap at work the other day, a string at the time true but essentially meant for later, hoarded for reference because they come so few these days—words I can recognize as coming close to coming close. They’re gone.

I go to work and come home and apply for new jobs. A year has passed in the Real World, and I want to go back—as though the make-believe, too, wasn’t really fantasy, a realm of imagined interactions, triumphs and consistencies. “I do not want this” is a mantra with nothing affirming I realize nothing trying not to desire anything and wondering if that’s possible or even… desired. In the long run, this will be a short standing still. I know. We regard the past like we’re wiser now. Guide or hold or shake hard the younger self making the same mistakes, avoiding decisions and running like hell from maybe miracles that yes, take time, yes, take faith blind crippled, weightless uncertainty to crutch/clutch then walk again away from this, and not alone. To see. I’ll live longer than I admit to myself now. What will I confess at a century? What will I regret.

Not this weekend filled with getting done and new music to move me, including Skinny Puppy’s long-in-coming The Greater Wrong of the Right, a surprisingly danceable disc. Though only given a few listens, I find it closer to the ohGr project than previous Puppy albums—I don’t know how Ogre pulls off that quasi-emcee jive, but he’s proven himself a veritable rhymesayer. That is to say… though his vocal stylings run the gambit, for a few songs he’s not singing screaming growling hissing roaring, he’s rapping. I’ll have to swing this observation past some industrial aficionados (could be heresy, like that’d be so terrible)—I just know of nothing like it in the genre. Given the raves of my roommate, they were sumthin else in Chicago a couple weeks ago. The show being a midweek affair, I stayed home boring. With hope they’ll pass through the Cities next fall… *crosses fingers.*

I also delved into the Umbrella Sequence‘s Sparkler Cliché, Prince’s Musicology, and Franz Ferdinand‘s self-titled not-what-I-expected but thoroughly impressive and already grown in deep goodness. Unugh I love new music. Lastly I gave in to curiosity and picked up a disc (used—Razorblade Romance) of love-death Finnish metal band, HIM (His Infernal Majesty). I swoon. Can’t help it. Ridiculous and great, the growlly yet crisp guitars and rhythms with catchall melodies intoned with/by tragedy is the definition of guilty pleasure—and I am so guilty and so so pleasured. Guy expounds his love pain death life agony and kills himself and his girl/boyfriend in pretty much every song—it is so wounderful. How can you go wrong with lyrics like “the colder your touch, the more it turns me on” and “it’s not our fault if death’s in love with us (whoa-ah-whoa, whoa-ah-whoa) / it’s not our fault if the reaper holds our hearts”? You can’t.

Also this weekend I explored the doom of the old U of M art building, finding reference to nymz and myself feeling better going where I know I shouldn’t be.

I appreciate art but have never been good at drawing or painting or sculpture. I just like to put things together, which works well because I never throw anything out. I also rescue garbage and peruse junk shops. After months of no ambition and initial artistic misdirection, I finished my rendition of the Last Supper, constructed with a Saver’s decoration standby and two dollars worth of photocopies. I call it “The Last Supper” < nudge wink grin >. Right above the kitchen dining table like proper. Earlier this week I also made a shadow box (for lack of better term) of my brother. It’s something to examine closely (the representation—the life) to fully “get,” but here’s a couple shots for the overall effect: far and near.

And finally… Minneapolis floorpunchers, nurse your hyenas to health! The Blood Brothers are back at the Triple Rock on July 2!!! Oh hell yes.

2
 comments
 

have fun at recess, kids

April 13, 03 //
0
Narratives
deepsicks, minneapolis, U of M

Saturday night at eight my friend Anna and I went to the Kitty Cat Klub (horrible name—gorgeous-awesome atmosphere) in Dinkytown for some chai and life/thought catch-up. After about an hour we noticed a horde of people flooding the streets. The University of Minnesota Gophers had just won the NCAA National Hockey Championship in Buffalo, NY. We decided to go out and watch the social-cultural phenomenon of several hundred of our classmates blocking an intersection and chanting fight songs… then lighting a bonfire built of stolen chairs and A-frame signs from local businesses as kids climbed traffic poles and tore off the lights, smashing them against the ground.

We wove in and out of the crowd with curiosity and horror, Anna taking pictures with her digitial camera she happened to have along. We eventually headed down the street to the Bookhouse where Kevin works. Wandering around the corner, we saw dozens of cops and state troopers strapping on riot gear and face masks. For students protesting the war? the violation of human rights? hell, the extraorbitant tuition hikes? no, because we won an athletic game nearly a thousand miles away. People were not drunk. They just wanted to break things and set them on fire. I overheard several times, “I’ve been waiting for this since last year!”—when we won the national title and the street celebration escalated to a few broken windows and one dumpster fire. People primed and prayed for this, and even if we didn’t win, I have no doubt, there would’ve been destruction.

Do I feel stupid for by-standing? Maybe. Yes. I didn’t help. But I couldn’t not watch, I couldn’t leave so soon, and soon enough, a phalanx of cops stalked up the street and sidewalks, pushing the crowd past the bonfire in the intersection—I managed to dive in the doorway of a storefront and slip behind the line as glass bottles sailed and riot sticks whacked the shins of the idiots who streamed across the street to leap over the fire. At one point I also got caught in a mob running from tear gas.

Okay. Interesting—even riveting—but enough. My crew and I took shelter in the Bookhouse then sneaked out the back. Anna and I tried to get to my car, but there were bonfires at both intersections; instead of dispersing, the crowd just moved, dragging dumpsters and mattresses into the middle of the street and setting them ablaze in at least four other locations.

Since we couldn’t move my car with burning debris in the street, not to mention patrol cars blocking intersections and officers smacking sticks against their palms, Anna and I walked to the student union where we ate deep-fried macaroni-and-cheese and had our tarots read—I was advised to “go where there’s truth.” We went to Anna’s place, ate grapefruit, and watched Tron. At about 2:30am we returned to Dinkytown where dumpsters still billowed black smoke. Shops had been broken into and a few vehicles overturned and torched. When I finally got back to my car, a thick film covered the windows—I smudged it with my fingers, thinking it was smoke. I started to drive and thoughtlessly wiped at my face… but the residue wasn’t smoke, it was tear gas. I screamed all the way home, and when I tried to wash it off, it spread to my eyes—apparently moisture reactivates and intensifies it. What’s worse, I parked right by an elementary school and day-care center, both of which have playgrounds… now undoubtedly coated with the poison.

So. Have fun at recess, kids.

To see some Star Tribune coverage, go here for “breaking news” and here for “aftermath.” I hope to get a couple pictures out of Anna soon, too.

I used to play Boomerang, a neighborhood game, with the son of Mr. Weled.

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Wu Wei by Jeff Ngan, modified by Meg Holle.
Copyright 2002 - 2013 by Meg Holle.
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