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Archives for posts with tag: victoria
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for a limited time only

November 29, 08 //
1
Shouts
found text, holledays, home, journeys, shows, victoria

The University of Victoria has a Ring Road and I have determined this to be a damned shame, consistently warping my sense of direction and claiming the distinction of long-standing university political contention. Why aren’t we on the inside of The Ring? like academics don’t have enough things to bitch about. The best green buildings, the better view, the parking lot not so far off you’re forced to exercise twice a day. Half the drivers on Ring Road are lost and pissed off, the other half just mad, trapped on this 1.4 mile roundabout punctuated with crosswalks and hordes of student traffic backing up vehicles twenty-six deep.

Despite a plenitude of crosswalks, many bisecting pathways lack them, too—and given that drivers insist on reaching maximum velocity between each safe crossing, in unprotected zones many a pedestrian patiently waits not to die.

So imagine my surprise after nearly a year of working here that as I prepared to cool my heels approaching such a spot, an oncoming vehicle… stopped. And I fell into a crosswalk that wasn’t there the day before. Well, half a crosswalk. Okay, a half-assed two bars, a crosswalk dock, but throwing the driver enough to make her reduce speed. (Despite aggressive driving necessitated by a lack of left turning lanes and green arrows, Canadian drivers vigorously respect crosswalks. Crosswalks are king. A crosswalk could’ve stopped a Canadian OJ, for reals.)

Having just passed the visual and performing arts facilities, I am credit-blaming them. Those crazy art students, subverting how I walk! What will they think of next?

Next they will think of an appropriated City of Victoria construction sign that appeared the next morning, in case I didn’t realize I was safe, and that safety is temporary—safety will be paved or painted over or power-washed away.

I have two weeks remaining at the University of Victoria and Victoria, BC, at large. I’ve enjoyed myself a lot, but I’m not thinking about it thoroughly, haven’t been feeling deeply—a lack of comprehension of what it’s going to mean to leave. What am I, suddenly unused to change? to uprooting, to rummaging through my baggage har har and tossing the trash, scrapping the scrapes and putting myself in another place where I can be new again, with unknown roommates, different classmates, all the old moved on.

Or maybe that’s my own protection. Don’t want to think too hard just yet. Embrace another volley of goodbyes then push the sad aside for the next round of introductions. Knowing I signed up for it won’t stop me from getting old of this. Safety for a limited time only.

“Stuff!” I say. “Things. Words.” Molotov mixed metaphor cocktails, Here Comes Trouble. Here it comes.

With much happening in the coming weeks and months, I may not be posting for awhile—hard to say, we’ll see. I’ll be in Fargo mid-December then in Minneapolis post-Christmas for a few days until January 1. After that, it’s back to Vancouver for my final semester of library school. Get in touch, wherever whoever youse are, for holiday libations, New Year’s cheer, back-to-Van jubilation, undsoweiter.

Also, fun: I’m seeing Nine Inch Nails next Friday. I haven’t been to a show of any kind for months and haven’t gone dancing since May. The lights are going to be so pretty.

1
 comments
 

boo bravo

November 1, 08 //
2
Narratives, Photography
halloween, joy, victoria

Historically a Halloween dancefloor freak, this year I sat it out. Downtown Vic’s a piece away with no night buses and sparse, expensive taxis, and the only party that looked any fun at all was a whole thirty dollars. That, and/or I am getting old, content to let last weekend’s zombie walk satisfice my ghoulish dress-up bones.

So I jockeyed for some last-minute trick-or-treat sweets then began to panic in the pumpkin-less produce section: the same grocery store selling Christmas pudding mid-September, out of the traditional gourd on Halloween. I wanted to carve a pumpkin, dammit—a front-stoop beacon for candy-frenzied children, salty seeds burning teardrop holes through my stomach.

In the past month I’ve been experimenting with squash, filling them with brown sugar, garlic and five Chinese spices, double-fisting oven mitts on Sunday afternoons. Stalking to the section, an adorable ambercup all but leapt into my arms, begging for the chance to pretend to be a pumpkin.

I am naturally biased, but oh, my lil jack-o-lantern squash turned out gorgeous. Its seeds weren’t bad, either.

On my way to work I pass a house on the edge of a park. It’s where I shot the lichen on the hood of a camper, otherwise notable for its early morning chimney sending homey scent my way and the one side flanked by blackberry bushes that made me sick with deliciousness all last summer.

Walking home from work yesterday, I learned this house hosts an annual haunted yard—I could see it tricked out with gravestones and elaborate displays, its awesomeness confirmed by a couple with young children debating in the driveway whether or not it was too scary, even in daylight. The adults wanted in. Their toddlers were whimpering.

I came back later, Hallows’ Even proper, to a full-scale spooky bash. Latex rotting bodies flew out of coffins, professional fireworks filled the sky, a chainsaw-wielding Leatherface tore the screams out of tweens and they handed out popcorn, coffee and hotdogs like it was… Halloween? Wow.

I’ve never seen anything like it, and asking around, I guess it’s not uncommon in BC for some crazy neighbor to go all out. There were hundreds of people there—in the yard, spilling into the street, in the adjacent park ooo and ahhing the fireworks, dashing about with sparklers, shrieking at ghost pirates and animatronic severed hands, anxious in line for fruit punch with eyeballs floating innit, with yelps and squeals and laughter peals, terror, astonishment and the occasional crapped pants.

Hell yeah. Bravo. Click the skelly above to see some photos!

I hope your day was bright with dark.

2
 comments
 

zombies, hooray!

October 26, 08 //
0
Photography, Shouts
halloween, joy, victoria, zombies

Victoria staged its 2008 Zombie Walk on a sunny Saturday, October 25. A few hundred zombies lurched from Centennial Square to the Legislature and back, with a detour through the Bay Centre shopping mall and occasional pause to pose with the screaming children of Korean tourists.

After last Halloween’s Prometheus costume (with now YouTube–famous Alex Eagle), I vowed to be a gutty zombie at the next undead event to shamble my way. Then I saw this white bread and wood glue recipe for brains. I couldn’t resist. So this year I was a brainy zombie instead, to prodigious effect.

My makeup got out of hand, unfortunately. Last time I applied my full makeup first, then oozed high-concentration gelatin over the top, which creates the rotting-flesh look. This time I only did minor shadowing, with gelatin next then the main white color base on top. Not good. I needed another layer of gelatin over the top of everything to get the necessary peeling and rotting. It turned out cakey, and in my opinion, crappy. I looked like a zombie clown. :( But my bread brains made up for it, and my fellow zombies and the yowling onlookers were impressed/terrified anyway.

Having had variable luck with syrup-based blood for my clothes, I also tried a new blood recipe: Palmolive and Kool-Aid, prescribed by the internets. Unfortunately I was not advised as to which color of Palmolive to use (and presumably any dish soap would do). I went with the clearish-yellow, along with cherry Kool-Aid. I had to add a lot of food coloring (about 20 mL of red and a few drops of blue) to get a decent hue. It did the trick, but I do not recommend it. Though it remained relatively un-sudsy for the bloodening, the little that did effervesce, along with the messy and unnecessarily prolonged cleanup (suds! everywhere!), soap smell and my reluctance to get it anywhere near my mouth earns Palmolive Kool-Aid blood a thumbs down.

Note: For my face I always use theatrical blood (cheap “vampire blood” in a tube) for its consistently favorable color. But it’s nice to have some even cheaper stuff to pour in one’s mouth and spew while on the rampage. Syrup? delicious. Soap? not so much.

Enjoy some shots of me and a few from the march (there were lil’ chillin zombies! even an infant or two! and a score of zombie dogs!). I didn’t take many photos of my brethren—too distracting and out of character. Flickr’s got the hookup for more, along with the original Facebook event page if you have the proper credentials.

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 comments
 

speak of the devil

October 19, 08 //
8
Narratives, Photography
books, halloween, satan, victoria, writing

Late last May I wound up in a cemetery. For me, this is reasonable without further explanation, but for the sake of the record, I’d been scouting out a room for rent across the street that looked like the total pits damn and I came out all this way… I might as well explore the local cemetery.

Opened in 1873, the Ross Bay Cemetery is a joy. With elaborate mausoleums, imposing, ancient foliage, rolling hills and winding paths through romantic states of disrepair, with grave curbs, aggressive crows, iron fences and ironic inscriptions, Ross Bay offers a view of the ocean and the historic horror that before the seawall was built to preserve the shoreline, the water would swell and swallow the dead, with children collecting bones along the beach post-storm.

I took a few pictures meant for deepsicks but had no narrative to couch them in. Rather than just throw them up, or throw them away, or file them out of sight, I have let them rest in limbo in a folder on my desktop for the past five months.

They weren’t important. But I didn’t want to forget them. There was something about this place I couldn’t place.

“Gone Home” and “Gone to be with Christ, which is far better.”

The “chains” of peace?

In other news…

I’ve long been interested in satanism. Well, the idea of satanism. The idea of the idea of ritualized evil, and the panic evoked by the fear of the devil come home to roost, in your wholesome neighborhood, your good Christian heart, and you must do your part to sacrifice your children to save them.

One two he’s coming for you, three four better lock the door and throw away your teen’s D&D library and Iron Maiden LPs. Stay glued to Geraldo and 20/20. Become a stay-at-home mom to prevent your little ones from falling into the clutches of satanic ritual abuse daycare providers in tunnels under graveyards with robots and lions and magical rooms where they stick knives in children but leave no bodies or scars—kiddie porn empires with no photos or films.

I’m a child of the eighties, so I know. What we say is what we are. We’re all naked booby stars.

I’ve been plotting for years to explore this deeper, bring to life/death through fiction the distortion and derangement and incalculable damage wrought by the satanic moral panic of the 1980s. There’s a fair amount of literature on the phenomenon, from a wide range of disciplines: sociology, psychology, criminology and folklore, as well as from the hardline True Believers, victim-survivors themselves, still night-quaking from eating feces and human flesh, stabbing babies and being buried alive with corpses when they were four.

But it all seems relatively forgotten—unrecognized for what it was at the time and not remembered for what it means now, though this is hard for me to tell. I was a child, so I don’t really remember the social tenor and trauma—and I don’t remember what I don’t remember, or anything suspicious or dire beyond what was reasonable for a child’s childlike fantasy, the fear fables of scary stories I consumed incessantly, intensely imaginative, speculative, myself.

I do recall hearing tales of little altars in the woods, bird skulls and bloodstains, the stark voices of teenagers’ claiming scary shit man you don’t wanna know my youth piqued but not by anything I really believed—at least I don’t think so. Ouija boards and photographs falling off the walls. Crucifixes twisting upside down, rosaries into knots and Jesus pictures crying blood. Lighting fires in the cellar, Sam and I almost burned down our baby brother, if not the whole apartment building from out-of-control candles we used to ward off the dark we chose, scaring ourselves half to death in the crawlspace crypt below our house.

Taking advantage of UVic’s library, I’ve been checking out books to research the subject, and discovered Bill Ellis’ Raising the Devil (2000). Though cumbersome at times, it’s also insightful and comprehensive, packed full of bizarre examples and connections while being, dare I say, laugh-out-loud funny. From Rosemary’s Baby to mutilated cattle in rural Minnesota to the exorcism of the Pentagon by Vietnam protesters to the demonology of the Illuminati to the vampire hunt in London’s Highgate Cemetery, Ellis, a folklorist, explores and explains satanic trends through the lens of myth and legend and the human propensity to create, demand and defend them—one of the more interesting perspectives I’ve found on the topic.

It took me until over halfway through the book to realize wh-wh-wh-wh-wait a minute… the Highgate Cemetery Vampire Hunt? Haven’t I drunk this up already?

Speak of the devil. Bill Ellis has been buried in the Ministry of Texts since 2003.

This naturally makes me feel marvelous. I don’t find it especially meaningful that I am interested in the same things that caught my eye five years ago—that I have been interested in my whole life—but still. Neat. Funnystrange.

Raising the Devil also briefly mentions Michelle Remembers (1980), the touchstone personal account of recovered memories of alleged satanic ritual abuse. I heard of the book years ago and have tried unsuccessfully to find it. Newly intrigued, I did a bit of reading (from the “Pagan Protection Center” no less) to see if it’s worth tracking down.

Co-written by her therapist, Lawrence Pazder, adult pseudonym’ed Michelle Smith claims young Michelle Smith at age five was subjected to ongoing torture by scads of unnamed satanists in the mid-fifties. Over the course of a year, Michelle, among other things:

  • suffered cuts from knives and razor blades
  • was imprisoned inside a statue of Satan along with snakes, spiders and a dead baby
  • was locked in a cage and denied food for days at a time
  • had her teeth pulled out by a doctor who also hacked apart bodies and sewed the parts back on in the wrong places
  • witnessed the dismemberment of kittens
  • was forced to eat cremains
  • had an infant torn apart over her body
  • and was dragged by her neck around an enormous round room by Satan himself, his tail as noose, at the culmination of a nonstop 81-day ritual of hundreds of devil worshipers devoted entirely to torturing her.

Michelle’s school records do not report this continuous 81-day absence, nor make any remark regarding her appearance one would imagine as emaciated, slashed and, well, exhibiting a generally disturbed demeanor. Luckily for Michelle, and her publicist, all resulting physical scars and dental deformities—and memories—were erased by a French-speaking Virgin Mary, the recollections of these events only to be recalled years later under the guidance of her therapist, who later became her husband.

Though a heavily controversial and criticized narrative, full of holes and logic leaps, Michelle Remembers nonetheless fueled the emerging satanic panic and provided “proof” for other equally evidence-less cases, all part of the vast underground intergenerational satanic conspiracy to subvert the social order and control the world by murdering kittens and making young children eat poo.

Because of such beliefs, accusations and hysteria, people all over North America have gone to prison. People are still in prison. How’d you like to go to jail because preschoolers said you flush them down a magical toilet into a secret room where you molest them, though you’ve also been known to take them on hot air balloon rides and through underground tunnels as well as orchestrate orgies at the local car wash and airport, along with your accomplice, Chuck Norris?

Oh yeah—and the woman who started all this? She thinks you can fly.

To say everyone was lying about everything in what grew to be hundreds of cases throughout the eighties to the mid-nineties would be incorrect—child abuse is very real—but these bombastic sorts of allegations simply were not true. Yet the people who believed them were utterly convinced of their realities, as well as convincing to other presumably otherwise reasonable people who banged the drum along with them to crucify the naysayers, which was better than, say, being complicit with Satan himself.

It’s the sort of thing that sets my brain on fire, and I don’t want to put it out.

Also among the claims in Michelle Remembers is her coerced participation in a rebirth ritual in a cemetery, where after being locked in a crypt she is stripped of clothing and transferred to a mausoleum filled with women dressed in black. Meowing and cavorting like cats, they give her a dead one and make her throw it in a grave in which she’d earlier lain. Her mother, present at the event, disowns her, and later one night the group returns and forces her to lie in the grave again, piling yet more dead cats in with her.

Despite Michelle’s screams throughout this ordeal, she is unheard by anyone in the neighborhood. The site of this residential-district graveyard?

Ross Bay Cemetery, Victoria, BC.

SPEAK! OF! THE! DEVIL!

Here are more (better!) RBC photos taken this afternoon:

No mausoleums that I could see could reasonably host a satanic party of more than three or four people. Unless the cat women were short. Or imaginary.

Mother and child were entranced by some irate crows. A surprising number of people were in the cemetery, strolling by with dogs and blazing through on bikes.

…That’s what I’m talking about.

Happy October, friends and fiends—have a terrific and safe Halloween.
CANDY! nom nom nom
:D

8
 comments
 

more fun than Eddie Murphy in French

October 13, 08 //
5
Shouts
dancing, fake, hilarity, joy, politics, victoria

It’s been tough this election season, being in Canada where the action ain’t (and they’ve their own campaigns to mind). Mostly, I cry. Oh glorious day, when my absentee ballot arrived. In 2006 I took a photo to commemorate my Secrecy Envelope. This year, I’ve pulled out all the stops to document my patriotic anguish and glee. Enjoy.

(Happy Thanksgiving, Canadians!)

5
 comments
 

9/11 is the new thanksgiving

September 21, 08 //
1
Shouts
found text, hilarity, victoria

Even in Canada.

Especially in Canada, with its pre-Halloween Turkey Day.

1
 comments
 
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