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Archives for posts with tag: writing
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deepsicks is ten years old!

February 12, 12 //
3
Narratives, Photography, Site News
deepsicks, the vault, writing

Ten! TEN! I’ve had this website for ten years! Words escape, fall all over the place, wrestle, dance, shout What the how! T E N Y E A R S?! of stealing time to catch cadence and rrrsounds that sound like other sounds (playing witch you right now) wringing out rhythm, to what.

Show off? a bit. Express? I guess. Tell truth and lies, perfect the disguise of sunlicked in plain sight. Subtle grin a grand scheme, pull wool over everything, your whole body so we can be trick wolves together.

It feels like it’s outside of me, and it’s silly, I know. Like my website has an agenda and imagination of its own. I celebrate my life like it’s separate from myself—like I’m afraid of pride as much as pain.

The hurt being: I haven’t done enough. Writing projects? Plans? I don’t think about that stuff, I fret about family and adult responsibility. I can’t fail when it’s not my thing—when it’s separate, divorced, an independent extension, a brainchild birthed and reared but eventually turned loose. Your ten-year-old is worthless if she doesn’t try to run away.

Didn’t want that pride anyway. Didn’t want that disappointment.

A canard in the coalmine, yeah. I’m aware of the fallacy, the flaws and breaking down. I’m working on a better metaphor and systematically enforced motivation to Make Art instead of Consume Other People’s Garbage, and to put fewer band-saws through sections of my life.

Maybe it’s the Midwestern in me that feels obliged to disassociate. Forget dissolved dreams, we are not a proud people. We don’t like spotlights when we recognize we do succeed actually, yes, this means something is what it is and what it is is staggering, tremendous, marvelous and moving.

Kept under wraps. Shut your trap that means your mouth, kid your mouth is a trap for your tongue. Loosen the jaws, it’ll snap your foot right off. Beware and distrust the power within you.

OH SURE. We clap and congratulate the hell out of the intrepid, even amongst our own. But when it comes to personal selves, shucks, it was nothing.

When it’s everything.

When we mean well and do better and best the doubt persistence would prevail.

 (Three months from 21, deepsicks on the horizon.)

Maybe culture is a weak excuse. I don’t have poor esteem. I’m know I’m pretty damn amazing. Can’t just straight up say that, though, tell instead of show or show just enough that what’s concealed becomes the confession. The treasure and truth. The mystery is there is no mystery, I get scared like everybody. Ten years of crowing, floating sinking drowning soaring. Ten years of showing up, knowing I won’t ever get it figured out, a couple-few, now, of being fine with it. I’ve learned a thing or two about plot. Three or four of ache, five about love. Learned a sting and sicks about shutting up. Even if I keep my feet out my mouth, some things are better left unsaid.

And now, 31 years in—ten on the record for the reckoning—I don’t want to be so goddamned afraid. But I don’t want to make the same mistakes. But I don’t want to be a sad-sack host, an all tucked-in paralyzed milquetoast. I take life and telling it too seriously.

Once in a while I explore the archive, just like it says. I haunt the graveyard and offer blood again to my own hungry ghosts to see what I said. Learn what I was like from the best of ‘em. I shock me sometimes. I surprise me often—reminiscing, and in the moment writing, connections I couldn’t make in my brain appear when the words are before me. Looking back, I feel awful and great, wistful and overwhelmed I did this thing and it doesn’t define me, it reminds I’m doing all right.

Sam shows me deepsicks on his tablet. Google Currents reformats it, strips the dark color, makes it like a magazine, and it looks beautiful. Text flies around at the swipe of his finger, photos bounce and headlines wave hello. Familiar but unfamiliar. Look at you! lookin’ all new, lookit what you’re doing! Things I didn’t even know.

Ten years is a long time. There have been periods of neglect but never a moment of distress, wanting to scrub the internets, to throw my words and images away. To deep six deepsicks, deny and be done with all the me’s I’ve been and wanted to become.

It is not a diary, only barely a blog. A memory capsule time bomb I wish I could hug, that helps me remember, helps me put things together, teaches me humility and mindbendfucksmeup there is no division no fractured self, there is no self at all.

No author. No mother. No mentor or pupil. Transformation through reiteration? who’m I fooling anyway. I wasn’t reborn yesterday.

It’s me. It’s all me, it’s always been me, and always will be.

But I still can’t shake there’s no basis in believing, I can’t stop insisting I raised you up. Copy/paste code made you strong. Feed you CSS real slow, put you to my chest and burped you. A few times underestimated total overhauls but never rued the hours of making you smart and sharp and likeable. Of letting you have tantrums and letting you be terrible. Turn from light to dark to bright to bile to all better. To sing and dance and whoop then fall silent, hidden weeks on end. To surprise me, again and again.

Happy Birthday, deepsicks. I love you. I don’t know who I’d be without you.

3
 comments
 

three inches

June 4, 11 //
7
Narratives
angst, books, deepsicks, writing

Not hard to keep my chin up, just hard to keep from laughing, I know better than to take anything too seriously. Other than myself, but that’s a quiet matter not for polite company, you were raised better than that. Even wolves respect.

I am not about to deny it. We work hard to get where we get, never mind the sliding scale of damage and difficulty. Expectations warped, the web makes us believe we’re already famous, already what we’re supposed to be. Act natural. Be and believe in your someone else self, the trope you couldn’t imagine your way out of, as imaginative it may be. “Find what others want, and give it to them,” What Works, pads the penury.

Or hold your tongue in grit teeth and call it integrity. Ingenuity. Possession by a vision you’re not sure you want to see, much less attempt to explain and share. Then get rich in all sorts of things slowly. Life is not driven by plot.

I don’t want to be in a call center all my life. PhD candidates who can’t open PDFs, all some see, that raise in salary, more pennies for the debt how am I going to do this, ram a theory in a gap? shit, you tell me.

What am I supposed to do.

When I was a teen, there was no such thing as YA. You were a child, or you were an adult. Deal with it. I would go to Barnes & Noble, find the space in fiction where my name would fit and clear the shelves a foot, fuck it, two! three! four! for all my addictions, dissonance and grit, all the books I’d write and put on it. Someday. When the world goes away. When I sit my ass down and kill all the sleep in me. Trust myself to fail and succeed. When Bree wins the lottery. When all I really need is an inch, maybe three. Four, five. A half-foot of spines all lined up, caging nerve and fire.

Even three inches will take a lifetime, take and give my life away. But really, what’s the hurry? Slow plot or not, these characters got me got, all howl and growl, tenacity and wit.

I’ll never put me down.

I will never quit.

7
 comments
 

FPCAN’s You Are Not Dead

May 19, 10 //
4
Shouts
fake, writing, you are not dead

To complement the You Are Not Dead seminar experience going down in Vancouver May 27 – June 5, Daniel Reetz and I have published You Are Not Dead: A Guide to Modern Living (the Canadian Edition).

While a small quantity will be available for sale at the play, this is print on demand, baby, so everyone can get in on the action. Read more about (and BUY! BUY! BUY!) the book at our publishing press, The Author Is Dead.

Those who I occasionally see in person may also contact me or leave a comment below to buy a copy from me in the meatspace (this latter option may take a few weeks due to Things and Stuff, but comes with such advantages as Increased Revenue for the Fakeproject Corporation, the human touch and my precious precious autograph).

Regarding the “publishing press,” maximum control of your work requires registering your own ISBN, and when you have your own ISBN, you basically have your own publishing company (minus a million things, of course, but in name, sure sure). In addition, for whatever backward reason, 1 ISBN costs $125 while 10 cost $250. While I am less aspiring publisher–author than thrifty shopper, I nonetheless have 9 more ISBNs burning a hole in my wherever-it-is-you-store-ISBNs.

Yay? I think so. Yay!

4
 comments
 

YOU ARE NOT DEAD

April 30, 10 //
2
Shouts
fake, writing, you are not dead

… is live!

The play based on my work, You Are Not Dead: A Guide to Modern Living runs in Vancouver May 27 – June 5. Tickets are on sale now! Check out the Fakeproject Corporation Canadian Chapter for more information.

A printed copy of the guide, filled with Daniel Reetz’s gorgeous images, will be available for sale at the show and online. More on this soon!

2
 comments
 

monstertime

April 29, 10 //
0
Narratives
dancing, deepsicks, music, vancouver, writing

Spring is come. I show my body who’s boss, biking top gear, running down blocks, dancing till I drop every jaw every thought chewing out my guts of fourteen hour days of not getting paid to be poor enough, trying to stay awake for the nightlife, a symptom of getting old? a too comfortable bed, but my muscles crave a mission. Go forth and multiphasic cut the floor in angles, step snap spastic, stand stalk thrill.

“Can you teach me how to dance?”

Can you teach me how to stand still.

I miss Vancouver James. He would know what to do, and he would deny it, but he’s better at people. Don’t be afraid to look foolish, is what I want to say. The fear shows and the fear is worse.

Well the Cure’s all rubber necks, hips and broken kneecaps, Suicide Commando, you’re gonna want a fist. But I don’t know how to explain something like “Assimilate,” a darksider staple in Skinny Puppy’s Vancouver. I’d stomp the shit out of that song and awful feelings feeling so far from home and close to where I come from, untamable untellable hell and hearing it now I’m all the none the wiser not dying, you’d have to put me down with a tranquilizer to get me to stop crying.

“Where did you learn how to dance?”

A bowling alley basement in Fargo, North Dakota? YouTube talent shows? Everyone better than me? Alone in my room for years, mostly. The average slice of time I devote to dancing each day/night in my tiny apartment, staining the floorboards with tire-sole scuffs and sweat till I strip to longjohns add it up! the intermission screenbreaks, can’t sleeps, can’t wakes, 45 minutes, I’d say. Give or take. I beat the mouth of my fist into my heartcage, slap the fillets of my abdomen, dance with my teeth, my spine, my spit, my third eye and no self.

Write what you know, right? what you don’t believe in, the reason you don’t know what to do. Until it makes sense. Until you come true.

0
 comments
 

1627 words

June 2, 09 //
12
Narratives, Photography
dancing, street art, vancouver, writing

So I was thinking. How complicating and annoying and dehumanizing it is to be human with our sex bits and socialized social sophistication, communication evolved to its apparent highest form—manipulation, deception and double-fisted entendre. Hard not to love that too, for all its playfulness. Possibility. Making words do the unexpected and wonderful, why, it’s my favorite thing in the world. To pun and make fun, make raw and real the underhanded undermining. And yet. In some situations. All this firing signals and throwing up defenses, nuance and insinuation new awes and in sin you wait, hon god it makes me tired. My Frenchy Nausea not wanting to go out at all. Put on my face then put up a wall, careful never to look too hot. Sometimes getting hit on feels like getting beat up.

I am intentionally purposefully painfully not as friendly as I want to be—smiley jokey talkative, helpful and happy—with strangers and even friends, males particularly, because I don’t want them to think it means something. And that’s messed up and not fair. That I can’t be who I am for fear of what people might want me to be—when a smile leads to a dare, all of a sudden forced to backpedal or grit and bear the awkward or pretend it never happened. So I just stare, or don’t look at all.

We’re all in and of the universe, plunked in little pockets of other people, familiar patterns and places, but we’re all armed with mission statements, agendas and wildly inaccurate and unintelligible, untellable ideas about ourselves. Though operating in the same dimension, we live, essentially, separate realities. And then, we bump into each other. And attempt to interact.

I take the 4 or maybe it’s the 7 headed downtown to Luvafair at Celebrities to have cEvin Key bang my eardrums with new wave and select strains of Skinny Puppy. I’d waited awhile for this bus, along with some dude, a barrel chest in a polo shirt, hair cut crew. I don’t talk to him or look at him or even stand anywhere near. When the 4 or maybe it’s the 7 finally arrives, he’s closest to board but stands to the side, arm sweeping gentlemanly ladies first yarg okay thank you that’s sweet polite unnecessary awkward whatever. It’s a Thursday night, so not quite a drunk bus, but it is full, so I sit at the front on a bench seat facing the aisle and look about for discarded newspapers so I appear busy, noticing peripherally the guy sits across from me.

He is trying to catch my eye. I glance and he stutters a syllable but stops because I’ve already looked away. Glimpse again, he does it again, what what what? finally looking dead on. “Did you hear what she said?” nodding to the woman who sits beside me. “She said, ‘Are you two together?’ meaning you and me. I’m flattered.” Oh for fuck’s sake. I glance to the woman who would have changed seats for “us.” She smiles weakly. Whoops! Sorry!

Here are my options: a). Giggly bashful girly leading him on. b). Giggly bashful girly too shy to respond. c). Stuck-up bitch. I don’t want the guy to think I think he’s an asshole or an idiot, because he’s neither, nor do I think it, really, he’s just some dude and I want him to leave me alone if engaging me entails him flirting with me. But there is nothing friendly or even neutral that I can say that won’t also encourage him. So I ignore him, which invariably comes off as c). stuck-up bitch, which I can’t help but feel bad about. What a dumb life.

There are no newspapers to be found. There is no where to look but down. Getting up and moving to the back would be lame. I glance to the woman again and see she has her eyes closed. Feign sleep fatigue meditation, brilliant ploy! I close my eyes and don’t have to be there anymore. But after awhile, looking tired gets tired. “Would you like something to read?” asks the woman. Why, yes! She hands me some religious leaflets. Great.

I mean, great! I love god tracts. I’m fascinated by their masterful tones of simultaneous innocence, assumption and condescension, so succinct and plain yet purporting such colossal claims. The penalty of sin is death? Jesus died for my sins? He rose from the dead and I must take him into my heart or I will go to hell? Wow! I read them with being a mimic in mind—not a servant of god but a student of voice to help perfect propaganda, self help and satire. Forget my soul, sin and salvation. I seek to improve my craft. And yet, this takes reading it, and reading it looks like I’m interested in it, and taking interest translates to a successful conversion. I quite possibly made this woman’s day, thinking I’d ensured my cloud in heaven, while in reality I was deconstructing the hell out of it with plans for future subversion.

In every interaction, every casual collision, there is so much happening behind the scenes of eyelids, under skin surfaces. Burly gawky guy with the awkward pass? yeah, you should be flattered, ’cause I kick ass: I am supreme awesomeness wrought of knots and thorns.

I get off on Davie (read: Gay Street) and I’m glad of it, just to possibly maybe mess with the Christian and my hapless admirer. cEvin Key was smashing, and a couple nights later at another club, pal James reports that some of his friends saw me at Luvafair and I am now their favorite dancer in the whole world. The Whole World! Victoria rarely felt my heat and I hardly danced at all during the semester. I’d thought I’d peaked. No more sweet, new moves and considerably less energy. But I’ve been running a few times a week, to the point, to the park, past the fancy tennis people to Jericho Beach to see the crows and duckies, my intensity dictated by whatever song’s playing and how powerfully the lilacs are drugging me. As a result, my wind has improved and with it, tenacity. I’ve also been practicing in my bedroom, which is bad, because there’s carpet and the floor’s uneven and sometimes I hit the ceiling and there isn’t much room but to turn in a circle so I’m stuck practicing on actual dance floors with actual people watching and I have to announce Everybody Look Away Now! I’m Trying Something New! but no one listens or notices me polishless anyway. In fact, I am on my game like never before.

I’ve been working on my slides and glides. I aim for 750 words a day. 750 words a day is trash, amateur, joke blood from stones in fists and self-flagellation. Sometimes a single sentence takes an hour. Sometimes it takes my life then makes my day week month the whole infant summer. It’ll be my left knee that blows. I channel Michael Jackson and Elvis and it swells. One day it will explode, and it’ll be the West Coast that showed me how to show myself: How to devour a crowd and how to strangle the inner editor who wants to chop this into separate narratives, fearing deceptive the obvious contradiction of loathing eyes on me then demanding them just the same. I want to disappear and to captivate completely, for everyone to piss off and rub themselves against me.

Not really, well. Really. It’s hard, it’s hell. It’s okay. Concealing the contradiction would be the dishonesty.

At the end of the night, I am on a Megabite quest, and James is coming with me, not really taking into account that we’re walking across the entirety of downtown just to get a certain brand of street pizza when there’s 3 a.m. street pizza everywhere. Granville Street is torn to bits, making way for the Canada Line, the sidewalk in many spots reduced to gravel footpaths, bordered by fences and retail outlets. It’s half human maze and it’s a rat race I tell you, to be the first to stand in line outside for half an hour to advertise the popularity of empty clubs where they swipe your ID, retain your personal information and take a mug shot no shit before taking a $15 cover and subjecting you to the Top 40s and late ’90s epic trance, half detention camp, if suddenly it posed a national threat to be drunk, sexyish, lustful, high, obnoxious and/or lavishly insecure.

I don’t dance on Granville Street. But I’d walk eleven blocks to eat its pizza. We step around the sidewalk pocks, vomit Pollocks and urine patches, the staggering smashed, swaggering last ditch efforts to get laid, and no less than forty women about to break their ankles. Alcohol goes straight to high heels, ‘specially on gravel on Granville on Gravol.

Megabite has a line out the door, and the last night busses leave in twelve minutes. Damn. So we get some quicker, off-brand streetza and it isn’t that bad but feet dead, construction dusty, breathless and pfffft Normalbit, we vow never to do this again.

The next day at the beach, on five hours of sleep, the ocean knocks me down and blood pours out my knees, the waves rushing to lap the sap. My legs are long numb from the freezing water, so I don’t notice the pain. When I laugh my ass off about it Ma, skinned my knees! I don’t feel it leave.

Several hours later waiting for a bus, I rupture my new scabs busting a move for my shop window reflection. It smarts fierce and I curse and grit a grin.

I really am pretty awesome.

And I really will miss this place.

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